After it crossed over from the Club Chart Top 10 into the UK Singles Charts at number 9, other European and Asian territories were picking it up. However, to capitalise on the record's success, and to comply with singles chart restrictions, the track listing were reorganised so the track could be released as a 12-inch single and thus qualify for a chart placing. Slip'N'Slide felt these mixes were so good and so strong, that they decided to release "Hideaway" as a 12-inch doublepack, an unusual move by the label. The production was handled by New York production team Blaze and remixes by electronic music duo Deep Dish, consisting of Ali " Dubfire" Shirazinia and Sharam Tayebi, were made. It became one of the most talked about records at the 1995 Popkomm event and was picked up by Jim Ingles, A&R manager at Kickin subsidiary Slip'N'Slide Records. "Hideaway" was originally released by Easy Street Records, one of the longest-established house labels in the US. It was featured on their album Pete’s Everything Club Rub which was made available via Ministry of Sound. In 2022, English disc jockey and BBC Radio 1 host Pete Tong teamed up with Eats Everything (aka Daniel Pearce) to deliver a spin on "Hideaway", giving it a stylish twist. The song was released a third time in 2006 and reached number 82 in the Netherlands. A remixed version, called "Hideaway 1998", which featured a mix by Nu‑Birth, peaked at number 21 in 1998. The song has been remixed and re-released several times. It also reached number nine in the UK and number 38 on the Billboard Hot Dance Club Play chart in the US. The Deep Dish remix peaked at number-one in Italy. It is the group's most successful single and is written by Kevin Hedge and Josh Milan, and produced by Blaze. It’s just not that good." Hideaway" is a song by American house music group De'Lacy, featuring vocals by Rainie Lassiter.
#Hideaway 1995 movie
I don’t think it’s abysmal, though – it’s watchable, and though maybe a bit longer than it needs to be, still reasonably suitable for a movie night. Sure, if you’re one who wishes to consume a large portion of Goldblum’s output, it’s worth a watch, and perhaps if you groove on subpar psychic-link horror movies, it’s right up your alley, but it’s just not a spectacular movie.
I can’t think of a ton of reasons to really watch Hideaway. In fact, it reminded me a bit of Ghost in the Machine, another 90’s movie that’s a bit of a guilty pleasure for me, only I tend to enjoy that one a bit more. It carried with it an almost hokey charm, but then it lasted longer than it should have. While this is mostly restrained to the first 15 minutes and the final ten minutes (not counting the post-credits scene), it was really laughable just how bad the special effects looked. One thing that’s particularly damning about this film, and this is something that I’ve forgotten since the first time I saw this, was some truly God-awful CGI. Alfred Molina (Doctor Octopus from Spider-Man 2) was nice to see, Alicia Silverstone (Batman & Robin, regretfully) had her moments, and though I don’t know her, Christine Lahti was okay. He didn’t have that much in terms of agency, but he was suitably sinister. His performance here is pretty solid, and was actually one of the reasons I first went out of my way to see this movie.Īs an antagonist, Jeremy Sisto ( Wrong Turn, May, Dead & Breakfast, and Population 436) was pretty solid despite this being a moderately early role for him.
Personally, I know Goldblum most from Jurassic Park, a movie I’ve loved since I was a child (and one of the few movies I actually own on Blu-ray), but he’s also known, by the horror community, for films such as The Fly, Mister Frost, and the television film The Legend of Sleepy Hollow. Had the central performance come from someone less engaging than Goldblum, I really don’t know if I’d have the will-power to get through this, but just because of him starring, that does add a lot. Which is even more useful when you consider that this movie is around an hour and 45 minutes. It’s nothing fancy, but given that we do have Jeff Goldblum, that does make it moderately more tolerable.
#Hideaway 1995 serial
It has sort of an Eye-vibe, what with Goldblum’s character sharing a telepathic connection with a serial killer. That said, it’s not a 90’s movie that I see attracting too many people for a plethora of reasons.īased on a novel by Dean Koontz (though he was apparently quite displeased with the final product, so I wouldn’t be surprised if this wasn’t that close to the source material), the story here is okay. I don’t think Hideaway is a good movie, but I do find it occasionally decent, if only because of Jeff Goldblum’s presence.
It’s possible that this movie is a bit of a guilty pleasure for me.
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